Ackerman L., E. Stewart-Davis “A Limewood Lemon: Overhauling a 17th-Century Grinling Gibbons Overmantel” Postprints of the American Institute for Conservation 50th Annual Meeting, Wooden Artifacts Group. 2022
Journal articles
Dahm K., Casadio F., and J-L Andral “Picasso’s Faun Musician: Revealing the Making, Contextualising the Meaning “, The Burlington Magazine, 164 (2022) 242-249 .
Sutherland, K., Kokkori, M., ‘Investigating formulations of cellulose acetate plastics in the collections of the Art Institute of Chicago using pyrolysis gas chromatography mass spectrometry’, Journal of Analytical and Applied Pyrolysis 163 (2022) 105484.
Di Gianvincenzo, F., Peggie, D., Mackie, M., Granzotto, C., Higgitt, C., Cappellini, E., ‘Palaeoproteomics guidelines to identify proteinaceous binders in artworks following the study of a 15th-century painting by Sandro Botticelli’s workshop’, Scientific Reports 12 (2022) 10638.
Maaruf, N., Pénichon, S., Kokkori, M., ‘The Flexichrome: Visual examination and scientific analysis of an overlooked color process’, Color Culture and Science Journal 14 (2022) 7-15.
Exhibition Catalogues, Books, and Book Chapters
Facio, I., “Anatomy of Memory: The Materiality and Structure of Igshaan Adams’s Upheaved,” in : Folkerts Hendrik, Lynne Cooke, Isaac Facio, Joshua Lee Ginsburg, Muhsin Hendricks, Eusebius McKaiser, Kathryn Smith, Ocean Vuong , Arnisa Zeqo and Igshaan Adams. Igshaan Adams : Desire Lines First ed. Chicago IL: Art Institute of Chicago. Pp.78-85. 2022.
F.Casadio, M. Walton and G. Verri, “An ecosystem for diagnosis: creating synergies in academic and museum research”, in Diagnosis: Before, During and After,Conservation 360, (2) Editorial Universitat Politècnica de València; Anna Vila and Alison Murray (Eds) pp.132-171; ISBN: 978-84-9705-759-2. 2022
2021
Online publications
A. Langley, K. Rush, and J.Simek, “‘The Complete Painter’: Malangatana’s Approach to Painting, 1959–75,” in Malangatana: Mozambique Modern—The Modern Series at the Art Institute of Chicago (Art Institute of Chicago, 2021): /digital-publications/34/malangatana-mozambique-modern
Conference Proceedings
N. Maaruf.”Nineteenth–Century Japanese Tourist Albums at the Art Institute of Chicago: Complex Interpretation and Material Deterioration.” In Book and Paper Group Annual 40: 144-153. 2021.
Tom, C., Sutherland, K., Granzotto, C., Fiedler, I., ‘The many faces of Guanyin: Conservation and context of a polychrome bodhisattva’, in Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th Triennial Conference Preprints, Beijing, 17–21 May 2021, ed. J. Bridgland, International Council of Museums, Paris (2021) 8 pp.
Casadio F., Fry E., Molina S., Ysasi-Tavano G. “Execute, Evaluate, Repeat: implementing an integrated Art + Science interpretation strategy at the Art Institute of Chicago “, In Transcending Boundaries: Integrated Approaches to Conservation. ICOM-CC 19th, Triennial Conference Preprints, Beijing, 17–21, May 2021, ed. J. Bridgland. International Council of Museums, Paris (2021)
Journal articles
Granzotto, C., Sutherland, K., Goo, Y. A., Aksamija, A., ‘Characterization of surface materials on African sculptures: new insights from a multi-analytical study including proteomics’, Analyst 146 (2021) 3305-3316.
McGeachy, A., Sabino, R., McGoey, E., & Walton, M. “Shining Through: Multi-Analytical Studies of the Tiffany Hartwell Memorial Window.” Microscopy and Microanalysis, 27 (2021)(S1).
K. T. Faber, F. Casadio, A.Masic, L. Robbiola, M. Walton “Looking Back, Looking Forward: Materials Science in Art, Archaeology and Art Conservation”, Annu. Rev. Mater. Res. 2021. 51:6.1–6.26
F. Casadio “Sharing Power: Leadership Lessons from Interdisciplinary Practices in an Art Museum”, Curator, the Museum Journal, 64 (3) (2021)1- 23.
McDonough, K., J. Heinen, A. Nichols, B. Castriota, J. Farbowitz, M. Perry and S. Arden. “Who is the Electronic Media Group (EMG)?” AICNews 46, no.1 (January 2021): 1, 5-10.
Exhibition Catalogues, Books, and Book Chapters
Broadway, M., Sutherland, K., Granzotto, C., ‘Exploring the Terrain of Joseph E. Yoakum’s Landscapes: Methods and Materials’ in Joseph E. Yoakum: What I Saw, ed. M. Pascale, E. Adler and É. Kopp, 84-95. Chicago: The Art Institute of Chicago,2021.
Pénichon, Sylvie. “It Was a Beautiful Paper; Notes on Guilleminot Cartes Postales.” In André Kertész: Postcards from Paris, edited by Elizabeth Siegel, 49-57.Chicago: Art Institute of Chicago, 2021.
F. Casadio “ Moving beyond the binaries: exploring the active matter of metal soaps in paint”, in ConservingActive Matter, Peter Miller and Soon Kai Poh (Eds.), p.318-342. New York: Bard Graduate Center 2021.
2020
Online publications
K. Muir, “Ground and Atmosphere: Observations on Whistler’s Painting Supports,” in Whistler Paintings and Drawings at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020):
C. E. Rogge, D. Dijkema, K. Rush “A discriminating yellow: the detection of an anachronistic organic pigment in two backdated metaphysical paintings by Giorgio de Chirico”, in Studi Online, Rivista semestrale Anno VII n. 13 1 gennaio - 30 giugno 2020, ARCHIVIO DELL’ARTE METAFISICA: La ricerca al servizio di un grande movimento artistico italiano www.archivioartemetafisica.org:
M. Baumeister, L. Ackerman, J. Ng, and I. Kipre,” Digital 3-D Reproduction and CNC Milling: Putting the Finial Touches on an Architectural Highlight, the Cassiobury House Staircase”, AIC/Wooden Artifacts Specialty Group Postprints 2020.
M. Baumeister, L. Ackerman, N. Pedemonti, and I. Kipre. “Reactive, Proactive and Interactive: The Conservation and Reinstallation of the Cassiobury House Staircase at The Met”, AIC/OSG/ASGPostprints. 2020
Journal articles
Langley, A., Muir, K., Sutherland, K., ‘Scenes from the life of Picasso’s Still Life (1922): history, materials, and conservation’, SN Applied Sciences 2 (2020) art. 1384.
Gutman Rieppi, N., Price, B. A., Sutherland, K., Lins, A. P., Newman, R., Wang, P., Wang, T., Tague, T. J., ‘Salvator Mundi: an investigation of the painting’s materials and techniques’, Heritage Science 8 (2020) art. 39.
Lauren F. Sturdy, Madeleine S. Wright, Alexander Yee, Francesca Casadio, Katherine T. Faber and Kenneth R. Shull, “Effects of Zinc Oxide Filler on the Curing and Mechanical Response of Alkyd Coatings”, Polymer , 191 ( 2020) 122222
Exhibition Catalogues, Books, and Book Chapters
G. Groom and K. Muir, “Impression, Improvisation, and Premeditation: New Insights into the Working Methods and Creative Process of Claude Monet,” in Wiley Companion to Impressionism:
Sutherland K., Sabino, R.C., Pozzi, F., ‘Challenges in the Characterization and Categorization of Binding Media in Mummy Portraits’, in Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project, ed. M. Svoboda and C. R. Cartwright, J. Paul Getty Museum, Los Angeles (2020):
Kokkori, M., “Color is light”: From Impressionism to Suprematism, in: Impressionism in Russia: Dawn of the Avant-Garde, Prestel, Munich, 2020, 64-73.
Bouras, A., Kokkori, M., On Unovis and creativity: Lazar Khidekel’s AERO, in: They will understand us in one hundred years”: Lazar Khidekel, ed. R. Khidekel, National Art Museum of the Republic of Belarus, Minsk, 2020, 25-38.
Journal articles
Granzotto, C., Sutherland, K., Arslanoglu, A., and Ferguson, G. A., ‘Discrimination of Acacia gums by MALDI-TOF MS: applications to micro-samples from works of art’, Microchemical Journal 144 (2019) 229–241.
K.O’Connor, A. Pate, S.Pénichon, F.Casadio,” Moonlight or Midnight? Researching the Phases of Edward Steichen’s Moonrise Prints”, Journal of the American Institute for Conservation, 59, 2 (2019) 111–22.
E.Pouyet , M.Ganio , A. Motlani , A. Saboo, F. Casadio and M. Walton, “Casting Light on 20th-Century Parisian Artistic Bronze: Insights from Compositional Studies of Sculptures Using Hand-Held X-ray Fluorescence Spectroscopy”, Heritage 2019, 2, 732–748
Sutherland, K., Conference review: Ancient Panel Paintings: Examination, Analysis and Research, The Picture Restorer 54 (Spring 2019) 42-44.
Exhibition Catalogues, Books, and Book Chapters
Sutherland, K., ‘Gas chromatography/mass spectrometry techniques for the characterisation of organic materials in works of art’, Physical Sciences Reviews (2018) doi.org/10.1515/psr-2018-0010
Sancho Lobis, V., A.Owen, .F. Casadio, E. Vokt Ziemba, and Art Institute of Chicago. 2019. Rubens, Rembrandt, and Drawing in the Golden Age.
Casadio, Francesca, Ludovic Bellot-Gurlet, and Céline Paris. “Factors Affecting the Reactivity of Zinc Oxide with Different Drying Oils: A Vibrational Spectroscopy Study.” Metal Soaps in Art. Springer, Cham, 2019. 153-170.
Online Publications
Dahm, Kristi, Kathleen Kiefer, and Kristin Hoermann Lister, with contributions by Inge Fiedler. “Technical Reports.” In Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, edited by Stephanie D’Alessandro. Chicago: Art Institute of Chicago, 2018.
Dahm, Kristi. “Mounting Evidence: Original Mounts on Early Matisse Drawings.” In Matisse Paintings, Works on Paper, Sculpture, and Textiles at the Art Institute of Chicago, edited by Stephanie D’Alessandro. Chicago: Art Institute of Chicago, 2018.
Journal Articles
Buckley, Barbara, Michael Duffy, Allison Langley, and Mina Porell. “Modigliani’s Paris Portraits 1915–1917.” Burlington Magazine CLX, no. 1381 (April 2018): 311–318.
Daher, Celine, Ken Sutherland, Harriet Stratis, and Francesca Casadio. “Paul Gauguin’s Noa Noa prints: Multi-analytical characterization of the printmaking techniques and materials.” Microchemical Journal, no. 138 (May 2018): 348–359.
Exhibition Catalogues, Books, and Book Chapters
Broadway, Mary, Ken Sutherland, Veronica Biolcati, and Francesca Casadio. “Mastery of Materials: Examining John Singer Sargent’s Watercolors at the Art Institute of Chicago.” In John Singer Sargent and Chicago’s Gilded Age by Annelise K. Madsen, with contributions from Mary Broadway and Richard Ormond. Chicago: Art Institute of Chicago, 2018.
Kokkori, Maria, and Christine Lodder, eds. Kazimir Malevich and the UNOVIS group. New York: Prestel, 2018.
Kokkori, Maria, Ken Sutherland, and Francesca Casadio. “Metallic Paints and Modernism: Artists’ Writings and Documentary Sources.” In Expression and Sensibility: Art Technological Sources and the Rise of Modernism, edited by Christopher Kekel, Joyce Townsend, Sigrid Eyb Green, Jo Kirby, and Kathrin Pilz. London: Archetype Publications, 2018.
Kokkori, Maria. “Teaching Modernism.” In Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk (1918–1922), edited by Angela Lampe. Paris: Centre Pompidou, 2018.
Langley, Allison. “Edtoanisl (ecclesiastique).” In Francis Picabia: Materials and Techniques, edited by Michael Duffy, Talia Kwartler, Natalie Dupecher, and Anne Umland. New York: Museum of Modern Art, 2017.
Sabino, Rachel, with contributions by Lorenzo Lazzarini and Sidney Goldstein. “Technical Reports.” In Roman Art at the Art Institute of Chicago, edited by Katharine Raff. Chicago: Art Institute of Chicago, 2017.
Journal Articles
Diemer, Benedikt, and Isaac Facio. “The Fabric of the Universe: Exploring the Cosmic Web in 3-D Prints and Woven Textiles.” Publications of the Astronomical Society of the Pacific 129, no. 975 (April 2017).
Granzotto, Clara, and Ken Sutherland. “Matrix Assisted Laser Desorption Ionization Mass Fingerprinting for Identification of Acacia Gum in Microsamples from Works of Art.” Analytical Chemistry 89, no. 5 (2017): 3059–3068.
Kokkori, Maria, and Alexander Bouras. “Metallic Factures: László Moholy-Nagy and Kazimir Malevich.” Leonardo 50, no. 3 (June 2017): 287–291.
Muir, Kimberley. Review of In a New Light: Giovanni Bellini’s“St. Francis in the Desert” by Susannah Rutherglen and Charlotte Hale. Journal of the American Institute for Conservation 56, no. 3/4 (2017): 263–265.
Oakley, Lindsay, Francesca Casadio, Kenneth Shull, and Linda Broadbent. “A Theoretical Study of Epoxidation Reactions Relevant to Hydrocarbon Oxidation.” Industrial & Engineering Chemistry Research 56, no. 26 (June 2017): 7457–7461.
Pénichon, Sylvie, Krista Lough, and Paul Messier. “An Objective Revaluation of Photograms by László Moholy-Nagy.” Leonardo 50, no. 3 (June 2017): 292–295.
Salvant, Johanna, Julie Barten, Francesca Casadio, Maria Kokkori, Federica Pozzi, Carol Stringari, Ken Sutherland, and Marc Walton. “László Moholy-Nagy’s Painting Materials: From Substance to Light.” Leonardo 50, no. 3 (June 2017): 316–320.
Salvant, Johanna, J. Williams, M. Ganio, F. Casadio, C. Daher, K. Sutherland, L. Monico, F. Vanmeert, S. De Meyer, K. Janssens, C. Cartwright, and M. Walton. “A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt.” Archaeometry, published onlineNovember 24, 2017.
Conference Proceedings
Freeman, Rachel, Cyntia Karnes, and Harriet Stratis. Art on Paper Discussion Group: “Multiple Perspectives on the Treatment of Multiples: Innovative Thinking on the Conservation of Prints.” The Book and Paper Group Annual 36 (2017).
Kokkori, Maria, Ken Sutherland, and Francesca Casadio. “More Than a Pure Technical Sensation: Twentieth-Century Metallic Paints, Their Formulations and Use in Paintings.” In ICOM-CC 18th Triennial Conference, 2017 Preprints, Copenhagen, September 4–8, 2017, edited by J. Bridgland, art. 0102. Paris: International Council of Museums.
Sabino, Rachel. “The Comprehensive Treatment of a Renaissance Terracotta Altarpiece by Benedetto Baglioni.” In Proceedings of the Objects Specialty Group Session 45th Annual Meeting in Chicago, Illinois 24, edited by Emily Hamilton, Kari Dodson, and Lara Kaplan, with Tony Sigel.Presented at “Treatment 2017: Innovation in Conservation and Collection Care,” May 28–June 2, 2017.
Sabino, Rachel. “Fast Fills for Big Gaps.” In Proceedings of the Objects Specialty Group Session 45th Annual Meeting in Chicago, Illinois 24, edited by Emily Hamilton, Kari Dodson, and Lara Kaplan, with Tony Sigel.Presented at “Treatment 2017: Innovation in Conservation and Collection Care,” May 28–June 2, 2017.
Tom, Cybele, and Ken Sutherland. “Overpaint Removal from a Quattrocento Polychrome Bas-Relief: Challenges in Interpreting Painted Sculpture.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, September 4–8, 2017, edited by J. Bridgland, art. 1709. Paris: International Council of Museums.
Casadio, Francesca, Celine Daher, and Ludovic Bellot-Gurlet. 2016. “Raman Spectroscopy of Cultural Heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing.” Topics in Current Chemistry 374, no. 62 (October 2016): 1–51.
Chen, Victor, Gregory D. Smith, Amanda Holden, Niloo Paydar, and Kathleen Kiefer. “Chemical Analysis of Dyes on an Uzbek Ceremonial Coat: Objective Evidence for Artifact Dating and the Chemistry of Early Synthetic Dyes.” Dyes and Pigments 131 (August 2016): 320–332.
Cucci, Costanza, Giovanni Bartolozzi, Marco De Vita, Veronica Marchiafava, Marcello Picollo, and Francesca Casadio. “The Colors of Keith Haring: A Spectroscopic Study on the Materials of the Mural Painting Tuttomondo and on Reference Contemporary Outdoor Paints.” Applied Spectroscopy 70, no. 1 (January 2016): 186–196.
Dahm, Kristi. “Casting Far and Wide: Winslow Homer’s Engagement with the Materiality of Paper.” The Book and Paper Group Annual 35 (2016): 133–134.
Dahm, Kristi. Review of Picasso: The Making of Cubism 1912-1914, edited by Anne Upland, Blair Hartnell, and Scott Gerson. The Journal For The American Institute for Conservation 55, no. 1 (May 2016): 71–74.
Kokkori, Maria, Marie-Odile Hubert, Nathalie Balcar, Gilles Brabant, Ken Sutherland, and Francesca Casadio. “Gloss Paints in Late Paintings by Francis Picabia: A Multi-Analytical Study.” Applied Physics A: Materials Science and Processing 122 ( December 2016): 1–11.
Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, and Richard P. Van Duyne. “SERS Discrimination of Closely Related Molecules: A Systematic Study of Natural Red Dyes in Binary Mixtures.” Journal of Physical Chemistry 120, no. 37 (2016): 21017–21026.
Salvant, Johanna, Ken Sutherland, Julie Barten, Carol Stringari, Francesca Casadio, and Marc Walton. “Two László Moholy-Nagy paintings on Trolit: Insights into the Condition of an Early Cellulose Nitrate Plastic.” E-Preservation Science 13 (2016): 15–22.
Saviello, Daniela, Lucia Toniolo, Sara Goidanich, and Francesca Casadio. “Non-Invasive Identification of Plastic Materials in Museum Collections with Portable FTIR Reflectance Spectroscopy: Reference Database and Practical Applications.” Microchemical Journal 124 (January 2016): 868–877.
Sturdy, Lauren F., Alexander Yee, Francesca Casadio, and Kenneth Shull. “Quantitative Characterization of Alkyd Cure Kinetics with the Quartz Crystal Microbalance.” Polymer 103, no. 26 (October 2016): 387–396.
Conference Proceedings
Dai, Qiqin, Emeline Pouyet, Oliver Cossairt, Marc Walton, Francesca Casadio, and Aggelos Katsaggelos. “X-Ray Fluorescence Image Super-Resolution Using Dictionary Learning.” In 2016 IEEE 12th Image, Video, and Multidimensional Signal Processing Workshop (IVMSP). Bordeaux, France, July 11–12, 2016.
Freeman, Rachel, Cyntia Karnes, and Stephanie Lussier. Art on Paper Discussion Group: “Paper is Part of the Picture: Connoisseurship and Conservation Practice.” The Book and Paper Group Annual 35 (2016).
Kokkori, Maria, Stephanie D’Alessandro, Kristin Lister, and Francesca Casadio. “Materials and Meanings: Analyzing Kazimir Malevich’s Painterly Realism of a Football Player—Color Masses in the 4th Dimension.” In The Noninvasive Analysis of Painted Surfaces: Scientific Impact and Conservation Practice, edited by Austin Nevin and Tiarna Doherty, 65–75. Smithsonian Contributions to Museum Conservation No. 5, Washington, DC: Smithsonian Institution Scholarly Press.
Langley, Allison, Kimberley Muir, and Aniko Bezur. “Looking Below the Surface of Picasso’s The Old Guitarist.” In Painting Techniques, History, Materials and Studio Practice, 5th International Symposium, edited by A. Wallert. Amsterdam: Rijksmuseum, 258–263.
Muir, Kimberley, Inge Fiedler, Donald H. Johnson, and Robert G. Erdmann. 2016. “Étude Systématique des Toiles Utilisées par Claude Monet,” in Peindre au Temps des Impressionnistes: L’apport de l’étude Matérielle des Toiles, edited by Bénédicte Trémolières. Mont-Saint-Aignan: Presses Universitaires de Rouen et du Havre, 2016. 63–80.
Muir, Kimberley, Inge Fiedler, Donald H. Johnson, and Robert G. Erdmann. “Thread Count, Weave, and Ground Analysis of Claude Monet’s Vieille & Troisgros/Troisgros Frères Canvases in the Art Institute of Chicago.” In Painting Techniques, History, Materials and Studio Practice, 5th International Symposium, edited by A. Wallert. Amsterdam: Rijksmuseum, 226–236.
Sutherland, Ken, L. Mayer, and G. Myers. “Soehnée Frères Retouching Varnish and American Painters.” In Sources on Art Technology: Back to Basics—Proceedings of the Sixth Symposium of the ICOM-CC Working Group for Art Technological Source Research, edited by Sigrid Eyb-Green, Joyce Townsend, Kathrin Pilz, Stefanos Kroustallis, and Idelette van Leeuwin. London: Archetype Publications, 2016.
Exhibition Catalogues, Books, and Book Chapters
Barten, Julie, Sylvie Pénichon, and Carol Stringari. “The Materialization of Light.” In Moholy-Nagy: Future Present, edited by Matthew Witkovsky, 187–202. Chicago: The Art Institute of Chicago, 2016.
Fiedler, Inge, Ella Hendriks, Teio Meedendorp, Michel Menu, and Johanna Savant. “Materials, Intention, and Evolution: Van Gogh’s Bedrooms.” In Van Gogh’s Bedrooms, edited by Gloria Groom, 68–103. Chicago: The Art Institute of Chicago, 2016.
MacDonough, Kristin, Rebecca Fraimow, Dan Erdman, Kathryn Gronsbell, and Erica Titkemeyer. “On the EVE of Preservation: Conserving a Complex Universe.” In Internet Spaceships are Serious Business: An EVE Online Reader, edited by Marcus Carter, Kelly Bergstrom, and Darryl Woodford, 210–220. Minneapolis: University of Minnesota Press, 2016.
Pozzi, Federica, Stephanie Zaleski, Francesca Casadio, Marco Leona, John R. Lombardi, and Richard P. Van Duyne. “Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art.” In Nanoscience and Cultural Heritage, edited by Phillipe Dillmann, Ludovic Bellot-Gurlet, and Irène Nenner, 161–204. Paris: Atlantis Press, 2016.
Barten, Julie, Francesca Casadio, Johanna Salvant, Carol Stringari, Ken Sutherland, and Marc Walton. “A Wealth of Optical Expression: László Moholy-Nagy’s Works in the Collection of the Guggenheim Museum.” In Postprints of the American Institute for Conservation of Historic and Artistic Works 43rd Annual Meeting, Miami, Florida, May 13–16, 2015.
