The Church of Overschie

CC0 Public Domain Designation

Painting and Sculpture of Europe

1866

Johan Barthold Jongkind (Dutch, 1819-1891)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Johan Barthold Jongkind
Title: The Church of Overschie
Place: Holland (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1866
Medium: Oil on canvas
Inscriptions: Inscribed lower right: Jongkind 1866
Dimensions: 30.5 × 50.8 cm (12 × 20 in.)
Credit Line: Mr. and Mrs. Martin A. Ryerson Collection
Reference Number: 1933.1129
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/111630/manifest.json

Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 249.
Faber Birren, History of Color in Painting: With New Principles of Color Expression (New York: Reinhold, 1965), p. 266, fig. 10-25.
Victorine Hefting, Jongkind: sa vie, son oeuvre, son époque (Paris: Arts et métiers graphiques, 1975), p. 174 (ill.), no. 375.
Richard Shiff, Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art (Chicago: University of Chicago Press, 1984), pp. 34, 96, 98, figs. 8, 15.
Richard Shiff, “The End of Impressionism,” in Charles S. Moffett, The New Painting: Impressionism 1874–1886, exh. cat. (Washington D.C: National Gallery of Art, 1986), pp. 76–77, fig. 10.
Adolphe Stein et. al, Jongkind: catalogue critique de l’oeuvre, vol. 1 (Paris: Brame & Lorenceau, 2003), p. 183 (ill.), no. 400.

Minneapolis Institute of Arts, An Exhibition of Modern French Paintings, November 1921, no cat.
Columbus, Ohio, Columbus Gallery of Fine Arts, A Tour of Famous Cities, October 3–November 18, 1952, no. 25.

E[rnest] May, by 1890; his sale, Galerie Georges Petit, Paris, June 4, 1890, lot 36, for 2,700 francs [price according to an annotated copy of the sale catalogue in the Philadelphia Museum of Art Library]. Probably Durand-Ruel, New York, by 1890 [according to an invoice from Durand-Ruel to Ryerson, Ryerson Papers, Art Institute Archives]; probably sold to Martin A. Ryerson (died 1932), Chicago, October 27, 1890 [according to the invoice cited above]; bequeathed to the Art Institute, 1933.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.